Hailing from Atlanta, Georgia, Fooshee’s Forecast is emerging on the scene with a sound that’s familiar yet unique in rock terms - the result is a fusion of folk, funk, and blues. — They aim to create quality music, authentic in its nature.

Led by Jon Fooshee, the band was formed from a wealth of touring musicians who enjoy the synchronicity of composed songs paired perfectly with the freedom of improvisation. With roots tying each musician back to Atlanta jam sessions, the Forecast aims to share the experience of community that they have found in music with everyone listening.

The roster of musicians that FF draws from have collectively headlined major music festivals, embarked on international tours, and have released albums under major record labels.

Constantly collaborating and creating, the band has a vast amount of new music on the way, as well as other median-crossing endeavors, such as pairing their upcoming funk album, Traffic Jams, with a comic book.

“The goal of our music is not to be a distraction, but to inspire creativity and hope for a better future.”

Jive Talk is the newest sensation out of Nashville, TN. Praised by Mike Grimes (owner of Basement East & Grimey’s Records) as “retro nerd-core supreme mother f*ckers,” the group is quickly gaining attention and captivating audiences with their powerful performances. The collective infuses raucous indie rock with 80s synth pop, drawing comparisons where Arcade Fire meets The National at the intersection of David Bowie and Tears for Fears.
Acme Radio hails them as “a breath of fresh air for Music City. In a place filled with thousands of local musicians attempting to turn their passion into a career, they stand out amongst the crowd. Spirited, care-free, and lovable, seeing them live is surely a special experience”

THE NATIONS #1 TOURING RED HOT CHILI PEPPERS TRIBUTE

THE RED NOT CHILI PEPPERS pay tribute to the ultimate funk rock quartet – a band who has transcended three decades of chart-topping success as well as developed one of the largest die-hard followings in the world. Come be reminded of the hits and high energy performances that brought the Chili Pepper’s international acclaim. Having performed at many of the country’s most prestigious concert halls as well as every major tribute festival, the Red Not’s sincere devotion to that classic Chili Pepper sound is filling venues and rocking people’s socks off around the US and abroad. With the ability to span over three decades of hits and hundreds of songs, every show provides a unique and high energy live music experience.
Formed in 2009, the Red NOT Chili Peppers quickly rose to be the Nation's most active Chili Pepper tribute as well as spanning the globe through Brazil, Mexico, and Japan. With world-class musicians on the roster, the Red Not's have stopped at nothing to develop the most accurate re-creation of that distinctive alternative funk rock sound pioneered by the Red Hot Chili Peppers; mix in a truly explosive performance and you have all the ingredients for the raging party that everyone expects from a Chili Pepper show.

“The most exciting and authentic blues performer I’ve heard in years.” A.W., Paste Magazine


2x Winner: 2008 Blues Music Award Band of the Year and Album of the Year
2x Winner: 2006 & 2007 MOJO Magazine’s #1 Blues Album of the Year
Winner: 6th Annual Independent Music Awards Blues Album of the Year

An ever-expanding career of ramshackle grandeur.
Bill “Watermelon Slim” Homans has built a remarkable reputation with his raw, impassioned intensity. HARP Magazine wrote “From sizzling slide guitar…to nitty-gritty harp blowing…to a gruff, resonating Okie twang, Slim delivers acutely personal workingman blues with both hands on the wheel of life, a bottle of hooch in his pocket, and the Bible on the passenger seat.” Paste Magazine writes “He’s one hell of a bottleneck guitarist, and he’s got that cry in his voice that only the greatest singers in the genre have had before him.”

The industry agrees on all fronts. Watermelon Slim & The Workers have garnered 17 Blues Music Award nominations in four years including a record-tying six in both 2007 & 2008. Only the likes of B.B. King, Buddy Guy and Robert Cray have landed six in a year and Slim is the only blues artist in history with twelve in two consecutive years. In Spring 2009 he was the cover story of Blues Revue magazine.

Two of Slim’s records were ranked #1 in MOJO Magazine’s annual Top Blues CD rankings. Industry awards include The Independent Music Award for Blues Album of the Year, The Blues Critic Award and Canada’s Maple Blues Award for International Artist of the Year among others. Slim has hit #1 on the Living Blues Charts, top five on the Roots Music Report and debuted in the top ten in Billboard. One of Slim’s most impressive industry accolades may be the liner notes of The Wheel Man eagerly written by the late legendary Jerry Wexler who called him a “one-of-a-kind pickin’ n singing Okie dynamo.” Slim has been embraced for his music, performances, backstory and persona. He has appeared on NPR’s All Things Considered, The BBC’s World Service and has been featured in publications like Harp, Relix, Paste, MOJO, Oklahoma Magazine and Truckers News as well as newspapers like The London Times, Toronto Star, Chicago Sun-Times, The Village Voice, Kansas City Star, Philadelphia Inquirer, and Michelle Shocked’s JAMS Magazine.

The Memphis Flyer led its terrific CD review with the question “Does anyone in modern pop music have a more intriguing biography than Bill “Watermelon Slim” Homans?”

Slim was born in Boston, his father was a progressive attorney and freedom rider and his brother is a classical musician. He was raised in North Carolina listening to the housekeeper sing John Lee Hooker songs. Slim attended Middlebury on a fencing scholarship but left early to enlist for Vietnam. While laid up in a Vietnam hospital bed he taught himself upside-down left-handed slide guitar on a $5 balsawood model using a triangle pick cut from a rusty coffee can top and his Army issued Zippo. lighter as the slide.

Slim first appeared on the music scene with the release of the only known protest record by a veteran during the Vietnam War. The project was Merry Airbrakes, a 1973 protest tinged LP with tracks Country Joe McDonald later covered. In the following 30 plus years Slim has been a truck driver, forklift operator, sawmiller (where he lost a partial finger), firewood salesman, collection agent, funeral officiator and at times a small time criminal. Due to aforementioned criminality, Slim was forced to flee Boston where he had played peace rallies, sit-ins and rabbleroused musically with the likes of Bonnie Raitt. Recently Raitt singled out Slim to her audience as a living blues legend during a summer 2009 performance.

From Boston Slim landed in his current home state of Oklahoma farming watermelons – hence his stage name. Somewhere in those decades since Vietnam Slim completed two undergrad and a master’s degree, started a family, painted art and joined Mensa, the social networking group reserved for members with certified genius IQs. When he’s not on tour Slim loves to fish and garden.

The big turning point was 2002 when Slim suffered a near fatal heart attack. His brush with death gave him a new perspective on mortality, direction and life ambitions and thus his second emergence as a performing musician. Eleven albums later he says, “Everything I do now has a sharper pleasure to it. I’ve lived a fuller life than most people could in two. If I go now, I’ve got a good education, I’ve lived on three continents, and I’ve played music with a bunch of immortal blues players. I’ve fought in a war and against a war. I’ve seen an awful lot and I’ve done an awful lot. If my plane went down tomorrow, I’d go out on top.” And when you watch him perform, you know every word is true.

Throughout his storied past, it has always been truck driving that Slim returned to. While trucking and hauling industrial waste for thankless bosses at hourly wages to support himself and his family, his id yearned for release of the musician inside. In fact, many of Slim’s current songs began a cappella in his rig keeping him awake and entertained. Slim’s music captures those long hours of now and then, finally and cathartically acquiescing to his id.

Honky Tonk Country Band from the Sip' ...Classic covers and originals

With “Get Humble” Handsome Jack digs again into the classic American musical lexicon (blues, soul, country, rock n’roll) to craft a timeless rock album ideal for house and block parties. “Get Humble” is packed with soulful vocals, swampy guitars, countrified rock, and west coast vocal harmonies. Their most accomplished album to date.

Hailing from Lockport NY, Handsome Jack plays a fusion of boogie soul rock n roll that has earned the admiration of fellow rock travelers such as Chris Robinson and Neal Casal (CRB, Black Crowes), Zachary Gabbard (Buffalo Killers), and Ben McLeod (All Them Witches) among many others.

Handsome Jack is Jamison Passuite (guitar/vocals), Joey Verdonselli (bass/vocals), and Bennie Hayes (drums/vocals).

JON SPENCER & THE HITMAKERS!

JON SPENCER (Pussy Galore, Boss Hog, The Jon Spencer Blues Explosion, Heavy Trash) - vocals & guitar.
SAM COOMES (Quasi, Heatmiser, Elliot Smith) - synths & vocals.
M.SORD (M.Sord, No Monster Club) - drums.
BOB BERT (Sonic Youth, Pussy Galore, Bewitched, Knoxville Girls, Chrome Cranks, Lydia Lunch Retrovirus) - trash.

SPENCER SINGS THE HITS!
Jon Spencer, the BLUES EXPLOSION man who put the BELLBOTTOMS on BABY DRIVER! The Top Cat who spread the Secret Sauce in BOSS HOG!

The Rockabilly Right-Hook from Heavyweight Outlaws HEAVY TRASH!

The Swank-Fucking Master of PUSSY GALORE!

Jon Spencer is back! Often imitated, never duplicated, the original NYC underground-rock legend returns from the wilderness with twelve red-hot hits, each more powerful than the last! This is Garage Punk for Now People! A wizard's brew of rhythm & blues and subversive dance grooves, weaponized with sci-fi skronk and industrial attitude, calibrated for the Revolution, a ball-peen hammer of sound guaranteed to destroy any post-modern hangover!
Pulsing with energy, clanging with excitement, and dripping with radioactive soul and raw emotion, Jon Spencer opens up his heart like never before, exploring man's modern condition with caustic guitars and outerworld crooning, asking and answering the musical question, "Is it possible to torch the cut-throat world of fake news and pre-fab, plastic-coated teen ennui with the cold hard facts of rock'n'roll?"

The answer is YES!

SPENCER SINGS THE HITS!

This is the truth serum America has been craving, the beginning of a rock'n'roll special counsel that takes no prisoners and puts the squares on ice!

 https://www.facebook.com/JonSpencerHITmaker/ https://shoverecords.bandcamp.com/ www.jonspencerbluesexplosion.com

Witchcake is psych-garage rock from Mississippi!

Jesse Cotton Stone weaves together the stylistic threads of definitive regional traditions of Blues Music ranging from North Mississippi Hill Country Blues, Delta Blues, and Cotton Patch Soul Blues to the Urban Chicago Blues Roots of R&B, Soul, Funk, and Psychedelic Rock & Roll, bringing listeners through the doors of a Heart-Wrenching Boutique of Vintage-Toned American Blues Music with the relentless showmanship  of a True Entertainer.

He is a Colorado-Born,  American Highway-Raised, Blues Man. A 3rd Generation "Carny", he spent the earliest of his years on the Carnival circuit training as a traveling entertainer from his parents and grandfather, who was a balloon clown. 

In 1994, at the age of 11 he began teaching  himself to play blues guitar by ear.

"Though Colorado born, my blues influence was rooted on the banks of the Missouri  River, where my Fathers side of our family had migrated  from Texas during the Great Depression.    We lived many years there throughout my upbringing and spent most summers going to blues clubs, barbecues,juke joints,  blues festivals, and National Gospel Choir competitions, throughout the midwest while on the road with the carnival circuit." 

While working on the Midwestern carnival circuit with his father, Jesse heard the music of Jimi Hendrix and learned of the influence Blues Music had on his hero. This Experience inspired him to sell his childhood Matchbox Car collection for money to purchase his first electric guitar.

Jesse  began cutting his teeth on the live stage playing blues jams and sitting in with anyone who would let him throughout the Midwest and Rocky Mountain regions.

In formative years he had the honor of  learning from and sharing greenrooms, jam sessions and  concert stages with the likes of  B.B. King, Lonnie Brooks, Magic Slim, Honeyboy Edwards, Russell Jackson, Kim Simmons, Jerry Ricks, Clarence "Gatemouth" Brown, John Cephas, Phil Wiggins, Link Wray, John Jackson, Koko Taylor, Derek Trucks, and the Junior Wells Blues Band,  to name a few.

Before forming the Jesse Cotton Stone Band, at the age of 14, he performed at  Kansas City's Grand Emporium, the  Kansas City Spirit Festival, Kansas City Blues and Jazz Festival, and the Memorial Benefit Concert for the late Junior Wells held at Chicago's House of Blues in '98. 

 The Jesse Cotton Stone Band played 5 nights a week headlining clubs, theaters, festivals, and motorcycle rallies all over the Rocky Mountains and the Midwest from '98 to 2001.

After years of focusing primarily on blues and acid rock, Jesse began studying new styles of music and branching out beyond his roots.

"I had a friend named Dug Grow who would speak often about  the amazing master musicians he'd made records with who would later migrate to my home town for years to come.  Upon their arrival  I began jamming, recording,  and studying under Poly-Free Jazz Guitarist, Barry Wedgle, and Fusion Bassist,  Kim Stone, on a constant basis. This was the beginning of my interest in Jazz and World Music studies. 

 I learned about a more universal application to what I had already been exposed to by the Blues Culture.

This is what lead me to a path of enriching my own musicology through disciplinary studies.”

After formal Theory, Harmony, and Ear training in College, Jesse Traveled the World for about a decade, studying different musical traditions including the Classical Music of Northern India under one of the greatest musicians of all time, Ustad Ali Akbar Khan.

"I realized that, in the 1960s, an evolutionary process of musical expression had begun in America and was continuing through the expansion of modern music with reference to the most traditional form of American music - the Blues."

In 2013, Jesse started his own multi-faceted record label and production company, Gypsy Magik Productions, in his hometown of Manitou Springs, CO., where he currently resides and actively continues writing, developing and producing a catalogue of new original music by the Jesse Cotton Stone Band, collaborative projects, a Blues Remix series, and his post-modern Electro-Industrial Blues Masterpiece, ALGODON - A Multi-Sensory Concept Project based on the musicological evolution of Jesse's influences.

In the Summer of 2015, Jesse visited Clarksdale, MS.-MS.-Birthplace of American Blues Music - for the first time during production of the "Blue Dream Documentary" directed by Charlie Smith of AWEN Productions, which entails the premise of a retrogressive chronological history of the Blues, paralleled with Jesse's own journey of musical Evolution.

Since that experience, Jesse has made the Southern U.S. a second home and has toured from Colorado to the Bayous of Southern Louisiana several times.

His "Juke Spree" tours have included performances at the King Biscuit Blues Festival in Helena, AR., the Juke Joint Festival and Deep Blues Festival in Clarksdale, MS., not to mention the historic Red's Lounge in Clarksdale, MS. and Teddy's Juke Joint in Zachary, LA.

Along the way he has jammed with, learned from, and shared stages with the likes of Cedric Burnside, Tab Benoit, R.L. Boyce, Deak Harp, Mark "Mule Man" Massey, Watermelon Slim, Robert Kimbrough Sr., Lightning Malcolm, Cameron Kimbrough, David Kimbrough,Trenton Ayers, Bill "Howlin' Madd" Perry, and Mickey Rogers.

All of which, have deeply impacted and influenced Jesse in his most current musical direction featured on his debut self-release "Fires & Floods" and follow-up live in the studio record, "...cupcakes and go f#ck yourself”.

Formed in Georgia in 2012, The Orange Constant creates vintage rock with a contemporary twist. The group’s sound ranges from southern psychedelia to progressive composition— all with a spontaneous yet pop-like sensibility. 

TOC’s debut album, Time to Go (June 2015), was recorded with Grammy-nominated producer John Keane (R.E.M., Widespread Panic) and garnered praise from Relix Magazine as a “confident and polished debut album.” Shortly after, the band won the 2016 Flagpole Athens Music Award for best “Jam/Funk” band and has since headlined the city’s nationally acclaimed festival, AthFest. 

March 2017 saw the release of Point of Reference which was recorded in Athens, Ga. and produced by Drew Vandenberg (of Montreal, Kishi Bashi, Futurebirds). Fueled by Vandenberg’s experimental leanings, the sophomore effort displays maturity in songwriting and embraces more risk-taking in the studio. The LP demonstrates an urge to break genre restrictions as it draws inspiration from 70’s AOR and contemporaries like My Morning Jacket. Nearly one year after its release, Point of Reference earned the band a second feature in Relix through its notably “lush soundscapes and clear, purposeful compositions.” 

In the fall of 2018, the group returned to Keane to record what would become its third full-length release. Peel came in May 2020 and solidified TOC’s sonic spectrum; heartfelt anthems with catchy choruses ride alongside instrumental mastery with psychedelic undertones. With its rich vocal harmonies, hooky riffing, and succinct songwriting, the album captures the band’s most current sound. 

Delta is a Mississippi spawned jam band based out of Jackson,MS. Inspired by the likes of The Grateful Dead, WSP, Phish and many more, Delta creates a unique individualized live music experience with a blend of original music, covers and improvisation

Mississippi’s veteran Alternative Rockers Fling Hammer reunite for a Halloween show at Martin’s Downtown

All eyes are on Black Carl! as he bursts out of the fertile Birmingham bass scene. A stacked release plan is in the works for 2022 as he racks up major club and festival plays including Okeechobee, Ubbi Dubbi, SONIC BLOOM, and several high-profile events yet to be announced. Even bigger tour plans are slated for the back half of the year as scores of shows line up around his infectious and stage presence.

Carl Bell has won over fans from coast-to-coast (and soon, internationally) with a blend of hard-hitting beats and raw showmanship. Bell’s not happy until the fans are as sweaty as his ubiquitous stage towels. Nobody works harder to capture a crowd and draw them into his explosive sound.

Black Carl!'s duo Integrate with fellow Birmingham-based act VCTRE, is on a parallel trajectory garnering just as much attention as its solo projects thanks in no small part to the dynamism and chemistry of two best friends sharing the music they love. New music from all three projects is queuing up in advance of a breakout year. 

Up-and-comer ‘Saka’ has had an explosive start to 2022. Building off of the momentum from releases via Cyclops Recordings, widely respected UK imprint Inspected Records, Odyzey Music, Halcyon, a two-track EP on Gud Vibrations, an EP via underground tastemakers DOMEOFDOOM, and a barrage of self-released singles, the forward-thinking newcomer continues to impress. his swiftly growing discography exemplifies a cutting-edge sonic quality that is both familiar and unconventional.

The experimental beatmaker draws inspiration from an eclectic variety of underground electronic and his hometown of Hong Kong, wielding a sound palette that is both carefully intricate yet chaotically destructive; industrial yet organic; oriental yet occidental. By combining broken beat patterns, undulating soundscapes, rippling melodies and grotesque basslines, the burgeoning bass talent has achieved an instantly recognizable sound that is uniquely his own. With support amongst top tier industry heavyweights such as SLANDER, RL Grime, Alison Wonderland, Excision, Zeds Dead, Subtronics, CloZee, and Noisia, Saka is carving his very own path through the left-field electronic space and turning heads every step of the way.

 https://linktr.ee/Blackcarl

https://www.facebook.com/BlackCarlBeats/

https://soundcloud.com/soundslikesaka?

https://open.spotify.com/artist/78JjBYPpCRwGwaZff4qQrv?si=xR1sEnhcQCmEI084Y72LPQ&nd=1 

https://www.facebook.com/soundslikesaka

Jason Anderson aka DJ URI was born in Tampa,FL but moved to Jackson,MS at the age of 3 years old. His love for music has always been a big thing in his life. He was in several different groups as a singer during his youth. In the late 90's he discovered the underground dance scene and instantly fell in love.

He began to pursue his love for all things dance and music as a DJ. He started off on the south side of Jackson in a two bedroom apartment playing any little house party or small gig he could get his hands on. Then in early 2000 he caught the eye of a well known promoter/DJ named Tam Ragab who went by the name DJ TAM. Tam was the owner of the infamous One Nation United Crew who was known for putting on the best shows that Jackson had ever seen. Not only was One Nation United a top notch production company, but they also had some of the most elite DJ's in the southeast region of the USA.

DJ URI ended up signing with the One Nation United crew and began working on his first mix-tape with Tam as the producer and engineer on his album. DJ URI went on from there to gain huge success locally as well as regionally. He ended up DJ'ing with some of the best names in EDM music with the likes of Baby Anne, Dj Icey, Dj Dan, D Fuse, Kid Vicious, Tiesto just to name a few. He ended up locking down a promotional gig with Nettwerk America and then was able to take his act nationwide.

He then in late 2005 started his record company Arkangel Records and now uses that label to front all his remixes,mash-ups and original music. He has since opened his own private studio, Beat Nation Studio where he does full production and records DJ mixes. Here it is almost 20 years later and he is still doing his thing. He is very focused on providing his fans fun, yet very technical mixes and an exceptional club experience. He loves and respects his fans, and he is positive he wouldn't be where he is today without all of the support of his family friends and die hard fans who got him there. So needless to say, DJ URI is here to stay with no end in sight. So stay tuned in for all the latest mixes and remixes that he is sure to produce.

Kendall Street Company is a jam-alt rock band based out of Charlottesville, Virginia. From late night jam sessions at the University of Virginia to main stages at venues and festivals throughout the country, Kendall Street Company has broken the mold of improvised rock and entered a world of jazz-grass infused psychedelic bliss. The band’s musical style incorporates elements of jam, folk, jazz, funk, and psychedelic rock. They embrace mind-altering riffs as well as soulful and jazzy wit, while remaining true to their folksy songwriting roots.“The Space Race” is Kendall Street Company’s first single off their highly anticipated pop-ambient space opera double LP “The Year the Earth Stood Still,” (set to release summer 2021). Recorded in the midst of the COVID-19 pandemic, the record was born as a collective improvisational experiment over a 5 day period in a rural farmhouse studio in Louisa, VA. With imaginations running wild and sessions lasting through to the wee hours of the morning, the record quickly took on a life of its own as a time capsule of the band’s thoughts, feelings, and creative drive in a year of great uncertainty over their own future, and that of humanity at large.Averaging over 100 shows per year since 2013, KSC has performed at festivals such as Lockn’, Roosterwalk, Floydfest, Resonance, and Domefest and has opened for acts such as Pigeons Playing Ping Pong, moe., Papadosio, Umphrey’s McGee, Goose, and Leftover Salmon. All the while, the band has released myriad records, EPs, and singles to national acclaim.

“Emerging from the fertile musical breeding grounds of the mountains of Colorado is Tenth Mountain Division who sound like the rebellious love child of Little Feat and the Grateful Dead who spent time skipping school to follow Leftover Salmon on tour.” – Tim Newby – Americana UK
Born in the fertile breeding grounds of the mountains of Colorado, Tenth Mountain Division is continuing the musical legacy set down by their forefathers in Colorado. Like those that came before, Tenth Mountain Division is pushing the sound found in the mountains into bold, new directions with their exploratory take on Americana that dips freely in the well of all their diverse influences, classic Southern Rock, the progressive bluegrass that was born in their backyard in Colorado, the adventurous spirit of sixties psychedelic blues, and straight ahead driving rock ‘n’ roll. Much like their Colorado predecessors, Leftover Salmon, String Cheese Incident, and Yonder Mountain String Band, they defy simple categorization; instead they reference their musical history with their high-energy shows as they blaze new musical paths every night. As they do so they have become the new voice of the Colorado music scene, taking their Ski-party sound around the country and making every show feel like a night in the mountains

www.tmdtunes.com

With Guns N Roses 2012 induction into Rock n Roll Hall Of Fame & their Reunion Tour "Not In This Lifetime", Guns N Roses music & popularity keeps climbing each  day to new generations and faithful fans in mass numbers. NIGHTRAIN'S Tribute show to Guns n Roses has been taking the US by storm for 9 years & running. Performances have ranged from The House Of Blues, MTVs Famous Club LaVela, The FC Dallas Stadium, North Carolina Rebellion, sharing the bill with Alice In Chains, Soundgarden, & Buckcherry to name a few. Nightrain continues to make their stamp in today's ever growing Tribute Market.  Nightrain also has traveled abroad to Honduras, Ecuador, Guatemala, & Santo Domingo.


NIGHTRAIN'S Tribute show to Guns n Roses has been taking the US by storm for  years running. Performances have ranged from The House Of Blues, MTVs Famous Club LaVela, The FC Dallas Stadium, to this years Carolina Rebellion, sharing the bill with Alice In Chains, Soundgarden, & Buckcherry to name a few. Nightrain continues to make their stamp in today's ever growing Tribute Market.

The accurate vocals and hypnotic swaying of Axl both capture the audience’s attention from the first beat down to the last note. Slash’s classic riffs and perfect showmanship (and let’s not forget the top hat) will make everyone do a double take. However, Axl and Slash  are only part of the show. The tight rhythm of Izzy, Duff, and Steven are the glue that keeps this true concert tribute together. Izzy’s laid back style…a 6’ blonde Duff…the energy of Steven “popcorn” Adler complete this visually and musically accurate line-up. This band’s vibrant stage presence and accuracy to everything about Guns N' Roses leaves the entire crowd pleased.

Quickly becoming a fixture on the Classic Rock Circuit, this production is perfect for, Biker Events, Rock Venues, Any Corporate Event, Casino Showroom, Fair, Festival or Private Engagement. Reserve your date today!

The Grateful Dead continue to have one of the most rabid and loyal followings of any band in history, and deservedly so: They wrote great songs, and they were excellent musicians and terrific improvisers who never played a tune the same way twice. The Stolen Faces deftly capture the spirit of the Dead, covering the band’s expansive catalog and delivering it with the sort of energy and spontaneity that might have you thinking you’re standing in the Fillmore West in 1971!

Framing The Red is a Southern Rock n Roll band that is taking the national music scene by storm. They are not trying to get their foot in the door of opportunity, they are knocking it down. For a band that has only been together and touring for a little over 7 years, each and every member has the talent and can put on a show that any onlooker would think this was a seasoned band that has been touring for years. Framing The Red promises to deliver a show like none other, grabbing their audiences and bringing everyone to their feet with catchy riffs, great lyrics, and high impact live stage show that people will continue to talk about!

In 2010, Framing The Red started  straight out of the heart of the southern United States. During the first year and a half the band went through lineup changes, recorded their first E.P., and began touring the nation hoping to make Framing The Red a household name! The bands first single “A.O.” gained mass popularity across the south beginning with a local station (Rock 93.7) out of Lafayette, La spinning the single on a constant rotation. After the release of their self titled E.P., which produced 2 radio singles “A.O” and “Lay Down Beside Me” the band set back and began writing what would become their freshman album “Welcome To The Show”.

In August of 2012, Framing The Red released their debut album "Welcome To The Show" producing three radio singles off the freshman album, along with a video release of the third single "Country Band Man".

 

In May of 2016, Framing The Red released their second record “Love, Lies, & Alibis” producing the hit singles “Whiskey & Weed”, “CrossRoads, & “American Made”

2017 brought about the single "Mississippi Hippie" & “CrossRoads” which has a video directed by music video extraordinaire, J.B. Lawrence.  The video can currently be found on YouTube as well as on this webpage

The past few years have brought about even more changes. Jordan has added an All-Star lineup of some of Mississippi’s finest musicians with the addition of Cody (Cleverform), Kuan Calvert on bass and Caleb on drums. Framing The Red has recently been signed to Old Trace Records/Malaco Music Group and will have a new album coming out May 2019!

 

Framing The Red has had the privilege of sharing the stage with such bands as Motley Crue, Sevendust, Black Stone Cherry, Cavo, Rains, Alien Ant Farm, Sevendust, Pop Evil, Hurt, Smile Empty Soul, Lynam, 10 Years, Saving Abel, Black Oak Arkansas and festivals such asRocklahoma and Sturgis just to name a few! Framing The Red is the next “big thing”, this band embraces Rock ’N Roll at its finest and is a firm truth that Rock ‘N Roll is not dead…

Download our latest singles "Mississippi Hippie" and "Whiskey & Weed" on ITunes and Amazon!!!

FORGOTTEN SPACE is Texas’s premier Grateful Dead tribute band, comprised of five inspired musicians with a deep respect and understanding of the rich, diverse Grateful Dead songbook. Formed in 2006, this nationally touring group has continuously grown in both its popularity and repertoire, maintaining over 230 Grateful Dead songs in their active rotation. All the while, they have meticulously bridged the gap between recreating the sound and feel of the Grateful Dead experience with finding the balanced, tasteful space to express their own individual musical identities. Their clear penchant for fearless improvisation, coupled with their tireless, energetic approach to Dead music packs the dance floor with audiences ready to “go on the ride”. Add to that a willingness to explore arrangements from all eras of the Grateful Dead’s thirty year body of work, and you end up with an all out, explosive mixture of good vibes, endless dance party, and deep space musical exploration which engages Deadheads

and non-Deadheads alike.
 


https://www.facebook.com/forgottenspace/

www.forgottenspace.net

Perpetual Groove caught everyone by surprise in 2015 when they returned to the stage after a two-year hiatus. The band performed eight weekends that year, over multi-night runs, to sold-out shows in some of their favorite cities across the country, thus ringing in a new chapter for Perpetual Groove. The band resolved to make a big change by taking the time to craft, and bring to focus, music that stays true to their creative vision. 

That change is here on their new self-titled album. The band recruited producers Jason Kingsland and Tim Friesen to help them accomplish the most engaging and sonically-gratifying Perpetual Groove album to date. While recording at The Fidelitorium in Kernersville, NC and Studio MG in Roswell, GA, the band and producers engineered an album that will define Perpetual Groove for years to come. Seven new songs were written by the band specifically for this album representing all that life brings—loss, redemption, and hope.

Perpetual Groove continues to create a cultivated, unique experience for each live show. This new chapter for Perpetual Groove showcases the continuing evolution of their music and performances. This is a band that is fully realized and ready to bring their new sound, storytelling, and live experience to the masses.

Raucous Mississippi rock combo The Weeks got their start in 2006 while all four members where still in high school. Staffed by twin brothers Cyle (lead vocals) and Cain Barnes (drums), Samuel Williams (guitar, vocals), and Damien Bone (bass). They released their debut album, Cadillac Comeback, in 2008. After signing with Kings of Leon's new record label Serpents and Snakes, they re-released Gutter Gaunt Gangster September 25, 2012. Their second full-length, Dear Bo Jackson, was released in the spring of 2013. This was followed by the release of Easy in 2017, and, most recently, Two Moons in the summer of 2019. Their swaggering, sludgy, and slightly southern indie rock was further expanded with the release of nine total albums.

Raucous Mississippi rock combo The Weeks got their start in 2006 while all four members where still in high school. Staffed by twin brothers Cyle (lead vocals) and Cain Barnes (drums), Samuel Williams (guitar, vocals), and Damien Bone (bass). They released their debut album, Cadillac Comeback, in 2008. After signing with Kings of Leon's new record label Serpents and Snakes, they re-released Gutter Gaunt Gangster September 25, 2012. Their second full-length, Dear Bo Jackson, was released in the spring of 2013. This was followed by the release of Easy in 2017, and, most recently, Two Moons in the summer of 2019. Their swaggering, sludgy, and slightly southern indie rock was further expanded with the release of nine total albums.