At the request of the artist, masks are required for all patrons.

Formed in in 2009, Tuba Skinny has steadily evolved from a loose collection of street musicians into a solid ensemble dedicated to bringing the traditional New Orleans sound to audiences around the world. Drawing on a wide range of musical influences—from spirituals to Depression-era blues, from ragtime to traditional jazz—their sound evokes the rich musical heritage of their New Orleans home. The band has gained a loyal following through their distinctive sound, their commitment to reviving long-lost songs, and their barnstorming live performances.

Before becoming Tuba Skinny, the core of the band played in an assortment of bands on the streets of the French Quarter in the years following Hurricane Katrina. Those bands, the folkie punk Dean Man Street Orchestra (which included singer-songwriter Alynda Segarra of the acclaimed Hurray for the Riff Raff) and Loose Marbles both had an enormous effect on the musical culture of New Orleans, particularly its burgeoning revivalist jazz scene. From the start, Tuba Skinny’s home was on Royal Street in the French Quarter, drawing huge crowds for their jubilant hipster take on trad jazz. They soon began touring the country and then even Europe, playing in clubs and busking around city centers.

“Still mining the early jazz, blues and ragtime that have made them local favorites, this New Orleans combo is not only reaching further into the archives but also polishing originals that fit nearly seamlessly into the catalogue.... the strength of these young trad jazz players remains their ensemble work. In tune after tune, the core instrumental sextet nails the classic New Orleans contrapuntal collective improvisation, instantly evoking another era while at the same time delightfully of the moment.”

— CLEA SIMON (OFFBEAT, APRIL 2016

STILL STANDING is the ultimate visual and musical Elton John Tribute event bringing all the timeless classics to your venue with the attention to detail that his music deserves. 

“Still Standing have such a legendary stage presence, you wouldn’t know that it wasn’t Sir Elton John himself standing up there. They put on a magnificent performance and they definitely bring a crowd!”
Born and raised in Mobile, AL, Ben “Almost Elton” Frey has been referred to as the closest representation of Elton’s look and vocals on the Tribute Circuit. Ben and his band of professionals are dedicated to working on every detail that makes for an incredible Elton John experience. 

Drummer Zach Danziger and bassist Kevin Scott are two of the baddest and busiest musicians on the global music scene. Wednesday Night Titans is their baby, a Championship Wrestling-fueled extravaganza that’s one-part NASA-like brain challenge (Google “Zach Danziger TED Talk”), two parts video shock treatment, and three parts future-music language lesson.

Using the theatrical in-the-ring taunts of such 1980s-era wrestling icons as Hulk Hogan, Ric Flair, Dusty Rhodes, and Randy “Macho Man” Savage as their video-projected inspirations, Wednesday Night Titans create a proto-cosmic, fusion-fueled soundtrack accompaniment to the combatants’ chest-pounding declarations, manipulating their speech and images to further derange the proceedings. It’s an over-the-top mind-gasm of roid-warrior madness and instrumental profundity.    

Breaking ground is nothing new for Zach Danziger. As a fifteen-year-old at New York City’s Drummers’ Collective, the boy wonder could be heard jamming with Dave Weckl and Dennis Chambers, leaving the older drummers dumbfounded. At age seventeen, Danziger joined Latin pianist Michel Camilo’s groundbreaking trio before stoking guitarist Wayne Krantz’s blitzkrieg band in a four pioneering albums. Danziger currently mans the drum chair with saxophonist Donny McCaslin’s (of David Bowie’s Blackstar) genre-busting band. Danziger has scored many soundtracks (and recorded David Holmes’ long-running Oceans . . . series), and co-designed Zildjian cymbals Re-Mix, Kerope, and Avedis lines.

Alabama native bassist / producer Kevin Scott has an equally impressive resume, including longtime collaborations with Colonel Bruce Hampton, Bernard Purdie, Jimmy Herring, John McLaughlin, and Wayne Krantz; the mighty Matador Soul Sounds and FORQcurrently benefit from Scott’s dynamic bass and extreme presence.

Staking visionary turf in today’s decentralized music business is tough. The trials are enormous, the gamble real, the obstacles daunting. Like Jake “the Snake” Roberts says in one massive WNTs’ reel, “Some people are imitators and some people are innovators and I am an innovator!” Join Wednesday Night Titans as they step into the ring and drive their innovative sounds deep into your brain.

The Talismen formed in 2015 in Montgomery, Alabama. These talented musicians have been learning and growing as they entertain audiences all over the Southeast. With a combination of energy and sophistication beyond their years, The Talismen put on a show containing soulful and funk-filled originals along with some music of their favorite artists from across the jam / rock / funk spectrum. 

The Talismen released their debut album, Jar Full of Something, in February 2019. The album has since totaled over 400,000+ streams via Spotify. In March of 2020, the band released a four-song EP, Extra Vehicular Activity, which was recorded and produced by Kevin Scott (Jimmy Herring & The 5 of 7 / Col. Bruce Hampton). In August of 2020, the band released their first live album, Live From The Bunker, which showcases their vast improvisational skill. All three releases continue to be in heavy rotation as the band currently sits with 14,000+ monthly listeners. 

The band continues to expand their catalog of fan favorites and originals entertaining audiences throughout the South. They continue to expand into new markets across the Southeast, drawing large crowds in cities such as Birmingham, Auburn, Tuscaloosa, Mobile, Montgomery, Atlanta, Augusta, Savannah, Charleston, and many more. They were selected to play Umphrey's McGee's inaugural Woodlands Music & Arts Festival in 2019 and have supported acts such as TAUK, Ghost Light, CBDB, Consider the Source, Funk You, and New Orleans Suspects.

Few bands arouse a crowd into a collective shake like Flow Tribe. The six-member band’s onstage chemistry reflects a seamless combination of soul and movement that hits the audience within the first few notes. Virgin listeners and avid fans alike are drawn in by the distinctive sound that feels both familiar and original. From major festival stages around the world to leading a parade down the street, this is a group of professional musicians who’ve found their passion, and are living a dream where everyone’s welcome.

Second line brass and Cuban-Caribbean rhythms meld with R&B, soul, rock, and hip-hop beats in high-energy performances that turn every show into a celebration. New Orleans is influence itself, the unparalleled free and easy city weaving its way into track after track of original scores that make up a single definition of sound, which Flow Tribe has dubbed “backbone-cracking music.”

K.C. O’Rorke (vocals, trumpet), John-Michael Early (harmonica, washboard, vocals, keyboard), Nick Solnick (drums), Chad Penot (bass, vocals), Bryan Santos (guitar, timbales), and Mario Palmisano (guitar) are native New Orleanians and high school pals who’ve been writing music and playing live shows since the band’s inception in 2004. Post graduation, they went their separate ways, but after Katrina, each returned to their hometown, inherently becoming active members in the rebuilding of a

community that’s stronger than ever.

In 2017 Flow Tribe teamed up with legendary Hip Hop producer Mannie Fresh (Lil Wayne, Big Tymers) to create the album “BOSS”. The album reached #55 on the Billboard R&B charts and #5 on the Relix/Jambands.com chart reflecting the diversity of sound represented on the album. After relentless touring, Flow Tribe completed building a state of the art studio in New Orleans called Downman Sounds. 

Critically acclaimed British guitarist and singer songwriter, Joanne Shaw Taylor, universally hailed as the UK’s premiere blues rock guitarist, announced the release of her seventh studio full-length record The Blues Album on Friday September 17, 2021. Today she also shares a new single, “Let Me Down Easy” along with a companion music video.

The album was released via Joe Bonamassa’s independent blues label KTBA Records. It was produced and recorded by Joe Bonamassa and Josh Smith at Ocean Way Studios in Nashville, Tennessee.

The hotly tipped 11-track album features Joanne’s personalised covers of eleven rare blues classics originally recorded by Albert King, Peter Green, Little Richard, Magic Sam, Aretha Franklin, Little Milton, and many more.

The Blues Album, the follow up to 2019’s critically acclaimed album Reckless Heart, features Josh Smith (guitar), Reese Wynans (keyboards), Greg Morrow (drums), Steve Mackey (bass), Steve Patrick (trumpet), Mark Douthit (sax), Barry Green (trombone). Joe Bonamassa plays guitar and sings on the track “Don’t Go Away Mad.” Mike Farris also joins as a special guest on “I Don’t Know What You’ve Got.”

“I’d known from the beginning of my recording career that one day I wanted to record an album of blues covers, I just wasn’t sure when the right time to do that would be,” says Joanne. “I’ve always found it far easier to write my own material than come up with creative ways to make other artists’ material my own.”

When the pandemic put the brakes on from musicians from touring during 2020 and most of 2021, Joanne thought it was the right time to head into the studio to record The Blues Album.

“I mentioned my new project idea to Joe Bonamassa,” recalls Joanne. “He asked me for my song choices. Immediately he began sending me notes and was texting me song suggestions.” Joanne and Joe have been best friends and fans of each other’s music for many years. Joanne always wanted to work with Joe if the right project or collaboration came about.

“He was already acting as a mentor as well as an unofficial producer on The Blues Album, so I asked him if he’d fancy the job, officially,” says Joanne. “Thankfully, he accepted. The Blues Album has been everything I hoped it would be. It’s been a labor of love, overseen by an artist, producer, and friend who I trust beyond measure.

“We wanted to make a tough vocal centric straight blues record that showcases Joanne’s amazing talent but in a slightly different light," explains Bonamassa. “Joanne is a dear friend and a superstar. Josh and I focused on testing her limits and pushing boundaries that might not have occurred before. It's all about making a statement and having the listener want to play the music repeatedly."

Joanne’s covers album pays tribute to artists and bands that are not obvious choices including Little Village, Little Milton, The Fabulous Thunderbirds, James Ray, but, at the same time, she covers seminal blues icons including Albert King, Fleetwood Mac’s Peter Green and Magic Sam. Some of the songs covered are B-sides of singles.

“We try not to live in the well-worn trails of the blues,” explains Bonamassa. “Each song has to has to stand on its own while paying tribute to the original masters."

“Joe made it known from the get-go that his main objective for this album was to push me as a singer,” recalls Joanne. “Obviously, Joe has seen me perform many times over the years and knows my voice well. I think he felt that he could my vocal performance more, and get more out of it, especially since I’d had over a year to rest my vocal cords.”

As a musician and a recording and performing artist, Joe Bonamassa has always been a fan of Joanne’s music. Ultimately, what did Bonamassa set out to achieve by co-producing this magnificent, rich, and beautifully recorded and performed album for Joanne? Joe explains, “If you focus on what people might not associate with an artist and work hard on those areas it allows her fans to discover things and sets her up in a different light. Joanne’s a great singer and always has been. The guitar unfortunately has over-shadowed it until now. A lot of us in the business have the same problem. "

“On the new album, I mostly played my own guitar, my 1966 Esquire ‘Junior’,” says Joanne. “I tried to use a few of Joes Tele’s, but they’re set up for much bigger hands than mine. I did use Joe’s vintage amps - I believe one of his 60’s Vibroverbs mixed with a fumble overdrive for pretty much all of it. We didn’t use any pedals.”

It goes without saying that the production team of Joe Bonamassa and Josh Smith are at the top of their game. They recently produced new albums for Joanna Connor, Jimmy Hall, and Eric Gales. Joanna Connor’s album, 4801 South Indiana Avenue, met with great critical acclaim worldwide, was the second album released on Bonamassa’s independent label KTBA Records and debuted at #1 on the Billboard Blues Chart.

“Joe and Josh make a fantastic team,” insists Joanne. “Both bring something different to the table that the other maybe couldn’t. I loved working with them. I was worried about working with Joe for obvious reasons, (we are very close friends), but you never know how that will translate into a working relationship. It was cool to work with two guys not much older than me. Most of the producers I’ve worked with so far haven’t been so close to me in age, plus Joe and Josh have the added benefit of understanding what it is to tour on the same scene as me and what me touring this album will look like. All in all, it was a very relaxed fun session and hang.”

Funk You is a musical manifestation of nine kindred spirits from an east Georgia city. Motivated by a love of live performance and armed with a captivating sonic presence, the band places a healthy helping of soul atop a funky backbeat. Combining modern musical sensibilities with the last vestiges of the chitlin circuit, results in an ever-evolving sound that continues to draw crowds nationwide. 

Ten years on the road is no easy undertaking for any musical outfit, much less a group anchored by a group of childhood friends. As Funk You plans to dive into what comes next - they invite friends and fans alike to enjoy their newest musical offering, Moving Forward. 

“Moving Forward really is exactly what it sounds like,” says Will Clark. “We’re truly proud of what we’ve accomplished over the last decade and we can’t wait to see what is coming next.” 

With progress comes hard work, time, and ultimately sacrifice - a powerful trio that inevitably yields change. “I think, even though the last year has been tough, we’re happy to be pushing ahead and playing more shows. We’re just happy to be back out there,” Clark added. 

The myriad challenges presented by the COVID-19 pandemic simply did not deter the nine-piece musical juggernaut. After a year of planning, songwriting, and frequent virtual livestreams, the band hit the road for a nine-date southeast spring tour, with seven sell out shows along the way. Happily readjusted to life on the road, and plotting for an extended fall tour that will take the band to uncharted territory, Moving Forward will certainly be the soundtrack to the band’s upward trajectory in late 2021. 

Listeners can expect Funk You’s signature high-octane funk, driven by a hard-hitting rhythm section and glistening horns. Although the work presents the same flavors contained in the band’s recipe for success, “the music is a big step ahead, we really took time to focus on our sound in the studio,” said Evan Miller (Guitar). 

Moving Forward was recorded at Prana Recording Studio by Will Clark and Andy Headland. The album was mixed by Andy Headland and Will Clark and mastered by Chris Griffin.

Born and bred in Prosper, TX, Tanner Usrey is a singer and storyteller with a vocal styling all his own. Starting his career in 2013, Tanner performed alongside his brother, Tim, as “The Usrey Brothers.” In 2017, Tanner made his solo debut and quickly became a figurehead in the Texas Country Twitter scene with his acoustic video series. Usrey released his first EP titled “Medicine Man” in 2019. Since beginning his career, Tanner’s style has developed into a soulful, country-rock sound that has built him a strong following across streaming platforms with over 20 million streams. 

Following the success of his solo project, Tanner has performed at many notable venues and festivals sharing the stage with some of Texas Country's top acts including Stoney Larue, Casey Donahew, Cody Canada, Randall King, Brandon Rhyder, and Walt Wilkins. Taking that momentum, Tanner has gone on to open for notable artists such as Ward Davis, performing out West in August of 2021. Most recently, Tanner was recognized as Peacemaker Festival’s first Emerging Artist, providing him the opportunity to record an EP with SOL Studios and open for Lucero.

The SOL Sessions EP released Friday, September 17th, 2021, and features 5 songs that showcase Tanner’s talents as a writer. His diverse artistry is juxtaposed by energetic songs like “Time Bomb” and softer, more intimate melodies as heard in “With You.” Tanner weaves together heartfelt lyrics that tell stories people will easily find themselves connecting with and thinking about long after the song stops playing. From catching the eye of someone at a bar to fighting and making up with your lover or self-reflecting and allowing yourself to change, Usrey’s newest EP has a song everyone can relate to. 

Tanner is so thankful to his listeners for supporting him throughout his music career and is excited for everyone to listen to his new EP. “My music journey has been a real grassroots type of deal and we are just so thankful for everyone who listens and helps us grow our following.”

At the end of the day, Tanner Usrey's soulful southern style and dedication to his craft create a space where audiences can’t help but listen. If his “SOL Sessions” EP is any indication of where Usrey’s musical journey is heading, the music world has a lot to look forward to.

Nik Parr & The Selfless Lovers is a high-energy, piano driven rock n' roll group from Austin, Texas. The band is led by singer, pianist, saxophonist, songwriter and frontman Nik Parr, who switches between multiple instruments throughout the set. (He even plays sax and piano at the same time)

The band's live show is a nonstop dance party, channeling soul, rock n' roll, funk and disco-dance influences. Works great for anyone who likes: The Black Keys, Rolling Stones, Alabama Shakes, Leon Bridges, The Revivalists, Jimi Hendrix, Stevie Wonder, The Black Pumas. For more, check out the band on Spotify or instagram. 

The Grateful Dead continue to have one of the most rabid and loyal followings of any band in history, and deservedly so: They wrote great songs, and they were excellent musicians and terrific improvisers who never played a tune the same way twice. The Stolen Faces deftly capture the spirit of the Dead, covering a wide variety of songs from the band’s expansive catalog and delivering them with the sort of energy and spontaneity that might have you thinking you’re standing in the Fillmore West in 1971. Led by bassist Christian Grizzard, the group features guitarist Jack Silverman, drummer Matt Martin, and a rotating cast of some of Nashville’s top session and touring musicians.

Zoso - The Ultimate Led Zeppelin Experience formed in 1995 to perform the most accurate and captivating Led Zeppelin live show since the real thing. For Zoso, it's much more than just being a tribute. It's about touching a golden era in music. Zoso embodies Page, Plant, Bonham and Jones in their spirit, tightly-wound talent and authenticity.

Each band member has been carefully selected to portray both the appearance and playing styles of their Led Zeppelin counterparts. In eighteen successful years of touring, they have perfected their art. As one of the longest tenured Zeppelin tributes, Zoso's 2400 live shows around the world, including slots at major festivals such as Bonnaroo and Rib America Fest, have established them as the most traveled and successful band in the market.

Zoso's live shows are not about simply playing the right notes, they are about aura and feeling, harkening back to the unique atmosphere Led Zeppelin created. It's in the way they play: Each band member's mastery of authentic vintage instruments coupled with spot-on vocals, guitar, bass, drums, and keyboards, their compelling stage persona and distinct Led Zeppelin sound, with astounding visual imagery recreates the music, magic, and mystery of a Zeppelin concert. The impact is so powerful that band members constantly hear from young rockers that they were the catalyst behind turning them into new, die-hard Zeppelin fans.

Their passion, musical ability, showmanship and precise attention to detail earned them critical acclaim, name recognition and a loyal national following. The Los Angeles Times hailed the group as being "head and shoulders above all other Zeppelin tributes," and the Chicago Sun-Times declared Zoso is "the closest to the original of any tribute."

If you missed Led Zeppelin live in the 70's or are looking to relive the "Hammer of the Gods" phenomenon, you must experience what the St. Petersburg Times calls "the most exacting of the Zeppelin tribute bands in existence."

Zoso is: Matt Jernigan-Robert Plant; John McDaniel-Jimmy Page; Adam Sandling-John Paul Jones; Bevan Davies-John Bonham

Falling somewhere between rock, jazz, and electronic mayhem we find Papadosio striving to create music that is strangely familiar, and calls all walks of humanity to bask in a unique experience celebrating the one constant in an ever-changing world: music. With their 9th studio release on the horizon, Papadosio is expanding their audio collection with nine unique tracks for “Microdosio.” The Microdosio project introduces a new concept from Papadosio. “Microdosio is a brand new show with a small stage plot and a huge sound. Papadosio is exploring new sonic territory by shrinking their down to gear to focus on synths, samplers, drum machines, and loopers, all played along with guitar, bass and analog drums. Within “Microdosio”, you’ll find novel approaches to the Papadosio experience, expect to be surprised.

Characterized as a dynamic progressive rock band, Papadosio creates the sound of new-age technology merging with mesmerizing instrumentation. Between the unfamiliar melodic sound and the element of the production, their live show is an experience that has been evolving over 14 years and is expanding to include “Microdosio” into the repertoire. This is not and will not be the final form, as they are constantly changing and tweaking both musically and production-wise. Please enjoy.